Colin Dicky’s book Ghostland: An American History in Haunted Places is hands down one of the finest books to grace the market in years. It needs to be a staple in everyone’s paranormal library. Check out the book description and bio below.
“A lively assemblage and smart analysis of dozens of haunting stories… absorbing…[and] intellectually intriguing.”—The New York Times Book Review
Colin Dickey is on the trail of America’s ghosts. Crammed into old houses and hotels, abandoned prisons and empty hospitals, the spirits that linger continue to capture our collective imagination, but why? His own fascination piqued by a house hunt in Los Angeles that revealed derelict foreclosures and “zombie homes,” Dickey embarks on a journey across the continental United States to decode and unpack the American history repressed in our most famous haunted places. Some have established reputations as “the most haunted mansion in America,” or “the most haunted prison”; others, like the haunted Indian burial grounds in West Virginia, evoke memories from the past our collective nation tries to forget.
With boundless curiosity, Dickey conjures the dead by focusing on questions of the living—how do we, the living, deal with stories about ghosts, and how do we inhabit and move through spaces that have been deemed, for whatever reason, haunted? Paying attention not only to the true facts behind a ghost story but also to the ways in which changes to those facts are made—and why those changes are made—Dickey paints a version of American history left out of the textbooks, one of the things left undone, crimes left unsolved.
Spellbinding, scary, and wickedly insightful, Ghostland discovers the past we’re most afraid to speak of aloud in the bright light of day is the same past that tends to linger in the ghost stories we whisper in the dark.
Colin Dickey grew up in San Jose, California, a few miles from the Winchester Mystery House, the most haunted house in America. As a writer, speaker, and academic, he has made a career out of collecting unusual objects and hidden histories all over the country. He’s a regular contributor to the LA Review of Books and Lapham’s Quarterly and is the co-editor (with Joanna Ebenstein) of The Morbid Anatomy Anthology. He is also a member of the Order of the Good Death, a collective of artists, writers, and death industry professionals interested in improving the Western world’s relationship with mortality. With a PhD in comparative literature from the University of Southern California, he is an associate professor of creative writing at National University.